


Published
Author
Akhilesh Parab
Finding the Right Reference Is a Skill Too
Finding the Right Reference Is a Skill Too
When people see a finished illustration or design, they often assume it all came straight from imagination. I used to think that too. But the more I create, the more I realize that's rarely how it works. Before I even start sketching, I usually spend a good amount of time searching for references. Sometimes it's a pose, sometimes it's lighting, an expression, a color palette, or just the right camera angle. There are days when I spend more time looking for references than actually drawing.
And honestly, I've stopped seeing that as wasted time.
Finding the right reference is a skill in itself. It helps you understand things you might have missed and gives you a clearer direction before the first line is drawn. The moment you finally find that perfect reference feels like you've already solved half the artwork. I also enjoy looking at the work of artists and designers I admire. Not to copy them, but to understand how they think, solve problems, and tell stories visually. Sometimes all it takes is seeing a great piece of work to get excited about creating again.
Using references doesn't make your work less original. They don't replace creativity. They support it. Your ideas, choices, and style are what make the final piece yours. So if you're an artist or designer with dozens of Pinterest tabs open, don't be too hard on yourself. You're probably not avoiding the work. You've already started it.
Something I've noticed over time is that the better I become at collecting references, the faster I can start creating. Instead of endlessly scrolling, I begin recognizing what I'm actually looking for. It could be the way light falls on a face, the folds of a shirt, or simply the mood an image creates. Knowing what to search for is a skill that only comes with practice. I've also realized that references aren't limited to Pinterest. Inspiration can come from a movie scene, an old photograph, a walk through the city, or even the work of another artist or designer. Looking at great work keeps me motivated. It reminds me why I started creating in the first place and often pushes me to explore ideas I wouldn't have thought of on my own.
At the end of the day, references don't define the artwork. They simply help you begin. What matters is how you interpret them, combine different ideas, and add your own perspective. That's the part no reference can ever replace, and that's what makes every artist's work unique.
When people see a finished illustration or design, they often assume it all came straight from imagination. I used to think that too. But the more I create, the more I realize that's rarely how it works. Before I even start sketching, I usually spend a good amount of time searching for references. Sometimes it's a pose, sometimes it's lighting, an expression, a color palette, or just the right camera angle. There are days when I spend more time looking for references than actually drawing.
And honestly, I've stopped seeing that as wasted time.
Finding the right reference is a skill in itself. It helps you understand things you might have missed and gives you a clearer direction before the first line is drawn. The moment you finally find that perfect reference feels like you've already solved half the artwork. I also enjoy looking at the work of artists and designers I admire. Not to copy them, but to understand how they think, solve problems, and tell stories visually. Sometimes all it takes is seeing a great piece of work to get excited about creating again.
Using references doesn't make your work less original. They don't replace creativity. They support it. Your ideas, choices, and style are what make the final piece yours. So if you're an artist or designer with dozens of Pinterest tabs open, don't be too hard on yourself. You're probably not avoiding the work. You've already started it.
Something I've noticed over time is that the better I become at collecting references, the faster I can start creating. Instead of endlessly scrolling, I begin recognizing what I'm actually looking for. It could be the way light falls on a face, the folds of a shirt, or simply the mood an image creates. Knowing what to search for is a skill that only comes with practice. I've also realized that references aren't limited to Pinterest. Inspiration can come from a movie scene, an old photograph, a walk through the city, or even the work of another artist or designer. Looking at great work keeps me motivated. It reminds me why I started creating in the first place and often pushes me to explore ideas I wouldn't have thought of on my own.
At the end of the day, references don't define the artwork. They simply help you begin. What matters is how you interpret them, combine different ideas, and add your own perspective. That's the part no reference can ever replace, and that's what makes every artist's work unique.

